Devotees of Naharin's revolutionary approach to the art of choreography will be familiar with the sinuous, exhilaratingly uninhibited range of this company's movement. Central to this mode of choreography is a visceral energy that channels joy, pleasure and elation into physical expression. With Last Work Ohad Naharin has tapped into far darker emotional spectrum, and the result is as profound as it is confronting.
» The piece is breathtaking for the extraordinary dancing by the Batsheva dancers, and the way Mr. Naharin can evoke states of pleasure, pain, madness and a kind of animality - a sheer state of being in the body - through his movement. New York Times, Roslyn Sulcas
Lighting Design Avi Yona Bueno (Bambi)
Soundtrack design & edit Maxim Warratt
Original Music Grischa Lichtenberger
Stage Design Zohar Shoef
Costume Design Eri Nakamura
Assistants to Ohad Naharin & Maxim Warratt Ariel Cohen, Guy Shomroni
Additional Music Club Life - Hysterics, Crusty Juice - MPIA3, Volume VIP - Monkey, Tantrum - Luminox, Nani, Nani, Mummies Baby - Lullabies-of-Europe, Nani, Nani My Sweet Little Baby - Lullabies-of-Europe, Berceuse (Stravinsky) - Clara Rockmore
With Batsheva Dance Company dancers Yael Ben Ezer, Matan Cohen, Bret Easterling, Hsin-Yi Hsiang, Chunwoong Kim, Rani Lebzelter, Eri Nakamura, Ori Moshe Ofri, Nitzan Ressler, Or Meir Schreiber, Omri Drumlevich, Maayan Sheinfeld, Yoni Simon, Amalia Smith, Bobbi Jene Smith, Zina (Natalia) Zinchenko
Runners Zina (Natalia) Zinchenko Produced by Batsheva Dance Company
Co-producers Montpellier Danse 2015 & Hellerau-European Center for the Arts, Dresden.
Supported by Batsheva New Works Fund and Dalia and Eli Hurvitz Foundation, with special funding provided by the American Friends of Batsheva World Premiere June 2015, Suzanne Dellal Center, Tel-Aviv. Pre-premiere from May 21st Mardi 20 JUIN 2017 à 20h00 (tickets)
DURÉE 65 minutes (pas d'entracte)Adultes 25 , 20 , 15 / Jeunes 8 / Kulturpass bienvenu Lieu: Grand Théâtre / Grande Salle